Comedy film

Comedy film is genre of film in which the main emphasis is on humor. It is one of the oldest genres in film, as some of the very first silent movies were comedies. Comedy, unlike other film genres, puts much more focus on individual stars, with many former stand-up comics transitioning to the film industry due to their popularity. While many comedic films are lighthearted stories with no intent other than to amuse, others contain political or social commentary (such as Wag the Dog and Man of the Year).
Types of Comedies
The following are various genres of comedy:
A comedy of manners film satirizes the manners and affectations of a social class, often represented by stock characters. The plot of the comedy is often concerned with an illicit love affair or some other scandal, but is generally less important than its witty dialogue. This form of comedy has a long ancestry, dating back at least as far as Much Ado about Nothing by William Shakespeare.
In a fish out of water comedy film the main character, or characters, finds himself in an alien environment and this drives most of the humor in the film. Situations can be swapping gender roles, as in Tootsie (1982); an age changing role, as in Big (1988); a freedom-loving individual fitting into a structured environment, as in Police Academy (1984); a rural backwoodsman in the big city, as in Crocodile Dundee, and so forth.
A parody or spoof film is a comedy that satirizes other film genres or classic films. Such films employ sarcasm, stereotyping, mockery of scenes from other films, and the obviousness of meaning in a character's actions. Examples of this form include Blazing Saddles (1974), Airplane! (1980), and Young Frankenstein (1974).
The anarchic comedy film uses nonsensical, stream-of-consciousness humor which often lampoons some form of authority. Films of this nature stem from a theatrical history of anarchic comedy on the stage. Well-known films of this sub-genre include Duck Soup (1933), National Lampoon's Animal House (1978) and Monty Python and the Holy Grail (1975).
The black comedy is based around normally taboo subjects, including, death, murder, suicide and war. Examples include Arsenic and Old Lace (1944), Monsieur Verdoux (1947), Kind Hearts and Coronets (1949), The Ladykillers (1955), Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), The Loved One (1965), Monty Python's The Meaning of Life (1983) and The War of the Roses (1989).
Gross-out films are a relatively recent development, and rely heavily on sexual or "toilet" humour. Example include American Pie (1999), There's Something About Mary (1998), and Dumb and Dumber (1994).
The romantic comedy sub-genre typically involves the development of a relationship between a man and a woman. The stereotyped plot line follows the "boy-gets-girl", "boy-loses-girl", "boy gets girl back again" sequence. Naturally there are innumerable variants to this plot, and much of the generally light-hearted comedy lies in the social interactions and sexual tensions between the pair. Examples of this style of film include It's a Wonderful World (1939), The Shop Around the Corner (1940), Sabrina (1954), When Harry Met Sally... (1989), Pretty Woman (1990), and Four Weddings and a Funeral (1994).
It was not uncommon for the early romantic comedy film to also be a screwball comedy film. This form of comedy film was particularly popular during the 1930s and 1940s. There is no consensus definition of this film style, and it is often loosely applied to slapstick or romantic comedy films. Typically it can include a romantic element, an interplay between people of different economic strata, quick and witty repartee, some form of role reversal, and a happy ending. Some examples of the screwball comedy are: It Happened One Night (1934), Bringing Up Baby (1938), Philadelphia Story (1940), His Girl Friday (1940), and more recently What's Up, Doc? (1972).
Sub genres
Action comedy films blend comic antics and action where the film stars combine wit and one-liners with a thrilling plot and daring stunts. The genre became a specific draw in North America in the eighties when comedians such as Eddie Murphy started taking more action oriented roles such as in 48 Hours and Beverly Hills Cop. These type of films are often buddy films, with mismatched partners such as in Midnight Run, Rush Hour and Hot Fuzz. Hong Kong action cinema also integreated into this style through slapstick martial arts films such as Shaolin Soccer, Kung Fu Hustle and the films of Jackie Chan.
Comedy horror films are types of horror films in which the usual dark themes are portrayed using a humorous approach. These films are either use goofy horror clichés such as in The Old Dark House, Young Frankenstein, Little Shop of Horrors, Haunted Mansion and Scary Movie where campy styles are favoured. Some are much more subtle and don't parody horror, such as Shaun of the Dead. Another style of comedy horror can also rely on over the top violence and gore such as in Dead Alive (1992), Evil Dead (1981), and Club Dread.
Fantasy comedy films are types of films that uses magic, supernatural and or mythological figures for comic purposes. Most fantasy comedy includes an element of parody, or satire, turning many of the fantasy conventions on their head such as the hero becoming a cowardly fool, the princess being a klutz. Examples of these films include Being John Malkovich, Night at the Museum, Groundhog Day, Click and Shrek.
Sci-fi comedy films, like most hybrid genre of comedy use the elements of science fiction films to over the top extremes and exaggerated science fiction stereotypical characters. Popular examples of these types of films include Back to the Future , Ghostbusters, Evolution, Innerspace, Galaxy Quest, Mars Attacks!, and Men in Black.
Srivenkat Bulemoni